28th March 2010  

Phoenix // Live at Sydney

PhoenixAs most people will be aware, Phoenix released a free live album a few days ago of their recent performance in Sydney. It features the majority of tracks from Wolfgang Amadeus Phoenix.

The reason for this post though is to highlight the extended epic of ‘Love Like a Sunset’, a favourite track of mine now for quite a while, and now I’m falling in love with it all over again. Weighing in at 10 minutes 40 seconds, featuring a breakdown that teases every sense of your being and a bass line that flirts with indie dance floor attitude – it is the greatest advertisement for a live show since Daft Punk’s Alive 2007.

With no sense of irony, the track is too epic (large) for me to upload and preview on here but I strongly recommend you visit this blog and try it out, in it’s entirety.

As for the rest of the album, it’s equally and unquestionably as great an achievement as the previously mentioned track. Short of Love Like A Sunset, the stand-out track is Rome, beautiful from start to finish and at parts, full of the kind of energy you normally only find from a toddler on a sugar high.

Rome (Live)

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  27th January 2010  

Two Door Cinema Club // Something Good Can Work

Two Door Cinema Club - Something Good Can Work

This is a somewhat delayed discussion on this single, but I’ve just been reminded of it’s catchy pop self on finding out the news that Two Door Cinema Club’s first album is due for release on the 1st of March 2010.

This track on it’s own, shows great positivity in it’s nature and for the upcoming record by the band. It’s a joyful, uplifting pop classic which inspires a relentless battle with your brain and your auditory canal to give yourself another fix. From the first chord, leading into the keys you’re already feeling great about yourself, probably resisting those strong urges to go outside and kiss a random stranger, to pass on the uncensored pleasure you’re experiencing. The bass is simple and largely successful at holding it together, but the main focus are both the keys and vocals of the chorus.

On it’s own, the single led me to create a playlist titled ‘Happy-go-lucky’, and sure it’s amongst others in the playlist but it still stands out as something to listen too when I think life might not be as great as E4 adverts or Radio 1 makes out, and therefore worthy of everything I’ve just said about it.

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  31st August 2009  

Little Boots // Hands

Little Boots - Hands

‘Hands’ by Little Boots was recently released and I decided to purchase it on the day of release after hearing incredibly positive things on the EP, Arecibo. I had been listening to the poppy sing-along ‘New in Town’ and whilst enjoying it, I couldn’t help but hope the whole album wouldn’t have taken this direction.

The album features tracks from Arecibo which is a clever move as they’re some of the best tracks on the album. ‘Stuck on Repeat’ arguably the best track from the EP and now the LP is the big stand out. The whole album feels influenced by people other than herself, based on what was popular around the time of production, but rather than producing something interesting and popular such as Ladyhawkes debut album, this album strays more towards Lady GaGa. I won’t pretend to know the reasons, but all I know is the disappointment I felt whenever one of the old tracks wasn’t on.

Focusing on the positives, which there are enough of to warrant some enjoyment. ‘New in Town’ is a big dance floor track, it’s catchy, sassy and perhaps creeping into the area of guilty pleasures with people saying ‘Actually, I quite like that’. ‘Stuck on Repeat’ has had over 3 minutes trimmed from it’s running time, to aid in it’s accessibility and I suppose for the demographic, a smart move. So for those who miss the EP version, just listen to the EP. ‘Meddle’ and ‘Mathematics’ also feature which I’d heard previously, and seem to blend nicely in as the album progresses.

It’s a grower, synth-pop tracks like ‘Remedy’, with a pleasant vocal and deep enough bass line keep you checking back on it every so often. I’ve been quite critical but I’ve not finished listening to it just yet, I’m just not sure how much longer I will be.

After hearing Dead Disco a few years ago, and seeing them live, this album probably leans more towards what I expected from them and to judge this album, as I have been, beside Arecibo is unfair, and as a single piece of work it’s a big pop record. If you’ve not already listened my recommendation is not to think about what you’ve heard already, but as if this is the first time you’ve heard Little Boots. It is full of strong pop singles, and you can’t blame anyone for wanting to reach a larger audience if it’s not overly-compromising.

New In Town

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Stuck on Repeat

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Remedy

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